The 406mm fingerboard radius and a low action make for an easy ride across the octaves. This reduces string drag for better tuning stability. The headstock is snake-hipped too but that ice-lolly shape is designed to ensure a straight path for the strings between the top nut and tuners. You werenвЂ™t wasting your money on fancy finishes or hardware and it wasnвЂ™t only guitar players that took notice: the S6 forced other manufacturers to raise their game to the extent that, these days, affordable solid-top acoustics are simply taken for granted.Дespite the slim profile, the S6вЂ™s silver leaf maple neck feels stable and robust, and fills the palm nicely. Just like how the Yamaha Pacifica 112 revolutionised the budget electric guitar market, the S6 designers put an emphasis on decent tonewoods, including a solid cedar top, and robust build quality for the acoustic mob. When the S6 began making its presence felt in UK music shops of the 1990s, affordable solid top acoustics were still thin on the ground. Yet, of all of GodinвЂ™s products, possibly the most groundbreaking is the Seagull S6 acoustic. Across those brands youвЂ™ll find plenty of innovation, not least in the shape of the Godin Multiac electro-acoustics and the LGXT MIDI controllers. As you may already know, Godin is the brains behind guitar brands Art & Lutherie, Norman, Simon & Patrick, La Patrie, TRIC cases and, of course, Godin.

Seagull s6 review ultimate guitar